April 03, 2013Xenotron, your feelings about Prometheus are not offensive. Have at it, dude! But the comment you failed to mention, " misguided attempts at sounding smart", was [i]deliberately[/i]offensive. Happily, people here seem secure enough in themselves to not take the bait. Meaning, to insult you back.
Obviously I really liked Prometheus. I'm glad it was made. And you're right, it is significantly different from Alien in tone. It's a different film. The term reboot keeps coming up and that's definitely what it is, a new take on an old idea. A very old idea. Rather than regurgitate a thoroughly explored premise, RS was kind enough to provide a new one. There's no win to be had, its either piss off one camp or the other, and if a mistake was made it was trying to make everyone happy.
As for being strung along, that's maybe one way to look at it. The feeling I get is they want to tell a much longer story than can be wedged into 2 hours, so Prometheus is a sort of lighting of the fuse. Also, the whole package is somewhat a victim of commerce. A smaller, less expensive film may have gone further to satisfy you. But this mega blockbuster sort of tent pole thing can't help but suffer from too many cooks. With calculators.
All that said, I found it to be the hugest, spookiest blockbuster ever. It's very tone is a source of dread, including the score, which yes conveyed a sense of adventure and discovery, with a moaning undercurrent of hopeless doom. Look at these silly humans, dwarfed by realities beyond their comprehension. The only one with any chance is not even alive.
This was not a monster story, and RS was pretty explicit about that long before its release. Or, at least, the monster of the story wasn't gooey and toothy. The monster was David, and David [i]was[/i] scary, in a subtle, complex way. His villainy is hard to define. He's a machine. He's been programmed. He's disturbing and I think one of the great film sociopaths. And, with luck, all this is just the beginning.