I think Ridley Scott recycled some of the events from the ORIGINAL 'Alien' scrip

Jeremy
MemberOvomorphFebruary 16, 20121109 Views6 RepliesIn the original Alien script, the crew of the Nostromo discovers the Derelict ship, but instead of there being an egg chamber in the ship, there was a triangle etched on the Space Jockey’s seat. They did some looking around the planet, and they found a pyramid. [b]Inside the pyramid they found a chamber filled with vessels, much like the ones found in the [url=http://www.youtube.com/watch?v=sftuxbvGwiU]Prometheus trailer[/url].[/b] I don’t know its seems very similar.
[b]Script Excerpt[/b][i][u][/u][/i]
Broussard is standing on a dusty stone floor, with a feeble column of
sunlight shining down around him from the tunnel above. Around is
solid darkness.
He flashes his datastick around. The beam reveals that he is in a
stone room. STRANGE HEIROGLYPHICS are carved into the walls. They have
a primitive, religious appearance. Row after row of pictograms stretch
from floor to ceiling, some epic history in an unknown language. Huge
religious symbols dominate one wall.
Spaced at intervals are stylized stone statues, depicting grotesque
monsters, half anthropoid, half octopus.
BROUSSARD
It’s unbelievable! It’s like some
kind of tomb… some primitive
religion! Hey, is anybody there? Do
you read me? Standard!
Annoyed, Broussard yanks off his breathing goggles, and leaves them
hanging around his neck. He takes a deep breath of the wet air.
EXTERIOR - BASE OF PYRAMID - LATE AFTERNOON
Standard and Melkonis are standing around nervously.
STANDARD
If we don’t hear from him soon, I
think we better go in after him.
MELKONIS
Sun will be down in a minute.
INTERIOR - TOMB - LATE AFTERNOON
Face bare, Broussard approaches the center of the room, which is
dominated by a large, broad pedestal. On the pedestal are ROWS OF
LEATHERY URNS OR JARS, EXACTLY LIKE THE ONE BROUSSARD STUMBLED ACROSS
IN THE ALIEN SHIP — EXCEPT THESE ARE ALL SEALED.
He walks around the urns, studying them. They all have sealed lids. He
shines his light on one of them; then he lays his gloved hand on it.
He lifts his mask radio to his lips.
BROUSSARD
I don’t know if you can hear me, but
the place is full of large bottles
or jars, just like the one we found
on the other ship — except these
are all sealed. Also they’re soft to
the touch.
He peers more closely at the leathery object.
BROUSSARD (CONT’D)
Another funny thing — I just put my
hand on it, and now there are these
raised areas appearing where my
fingertips were.
EXTERIOR - BASE OF PYRAMID - DAY
THE SUN DROPS BELOW THE HORIZON, throwing the landscape into gloom.
Standard and Melkonis switch on their lights.
STANDARD
Let’s go.
He attaches his chest unit to the wire and starts up.
INTERIOR - TOMB - NIGHT
Broussard is moving his light along the rows of heiroglyphs on the
wall. They depict stylized drawings of strange monsters.
He pauses to quickly change the film clip in his datastick; then he
turns back to the “urn” he was examining — BUT NOW THERE IS A HOLE IN
THE TOP OF IT.
He shines his light on the floor at the base of the “urn.” There lies
the “lid” — the stopper that had filled the hole. He picks it up and
studies it. It appears more organic than artificial; the inside
surface is spongy and irregular.
Then he turns the light to the now-open “urn.”
He bends over the mouth of the “urn” shining the light in, AND WITH
SHOCKING VIOLENCE, A SMALL, OCTOPUS-LIKE THING LEAPS OUT AND ATTACHES
ITSELF TO HIS FACE, WRAPPING ITS TENTACLES AROUND HIS HEAD.
With a MUFFLED SCREAM, he launches himself backward, tearing at the
thing with his hands.
SOURCE OF SCRIPT: [url=http://www.dailyscript.com/scripts/alien_early.html]http://www.dailyscript.com/scripts/alien_early.html[/url]