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Alien: Covenant explained!

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Snake

MemberFacehuggerMay 20, 2017

I didn't write any of this, all credit goes to Prof. A from AVP- galaxy. I agree 100 percent!

 

Hi all,

I'm a new member so I apologize in advance if I make some mistakes regarding board/posting norms. I teach college level classes in Media Studies and have a background in Film/TV along with degrees in the aforementioned fields and the social sciences.  Since Hollywood movies aren't always respected by those in higher learning, I thought I would feel more at home with fellow Alien fans rather than writing/discussing in other places.

Just saw Alien: Covenant last night. After viewing it, I was impressed with how everything is starting to connect with the entire Alien universe. This connection is occurring at both a plot and thematic/philosophical level. I was particularly stunned at how Scott was still able to thread the philosophical nature of Prometheus with pacing/horror of the original series - all in an attempt to assuage Prometheus' critics.

Let's look at some key elements:

David's name and birth - Why call Fassbender's android David? Many speculated that this follows the series' alphabetical android naming process. We have Ash (letter A) in Alien, Bishop in Aliens/Alien 3 (Letter B), and Call in Alien: Resurrection (letter C). Prometheus follows the pattern by giving the letter D it's due. However, Alien: Covenant breaks this pattern with Walter (letter W). Why?

Part 1:
We learn that David is named after the famous Michelangelo statue. This greatly changes the meaning of his name. The David statue is important on two levels:

1) it represents the Renaissance's physical representation of the ideal man. Just as David, the android, represents Weyland's "ideal" creation/son.

2) It foreshadows the critical importance of David's actions. The David statue is modeled after the Biblical character (religious themes like in Prometheus). David, the mere weakling, destroys the giant, more powerful Goliath. This parallels David's actions with both the death of the engineers (the Goliaths or giants) and his intent to kill mankind (the other Goliaths, his masters/creators). The unlikely android servant becomes a god just as the Biblical character becomes an unlikely victor.

The question is: was this the plan from the start? Was this Scott's plan with Prometheus? It all ties in. The name has nothing to do with an alphabetical nature (as evidenced by Walter) - David's name comes from a place of deeper meaning planted in Prometheus.

Part 2

Ozymandias, Shelley, and Frankenstein

Along with the David statue, another major artistic reference is Percy Shelley's Ozymandias poem. The poem refers to the decline of a great civilization (Ancient Egypt). David recites a line from the poem when dropping the black ooze (or black oil from The X-Files if you prefer.  So, David is destroying the empire of the engineers just as referenced in the poem. He is also intent on destroying the other declining civilization - mankind. He references this in his conversation with Walter stating something along the lines of "why are they leaving earth, looking for colonies - they are in decline and shouldn't be allowed to restart."

However, there is a multiple layer of deep meaning in the Ozymandias choice:

1) David mistakenly claims that the poem is written by Byron. This is CRITICALLY IMPORTANT - on a surface level, it shows that David is not programmed correctly, which explains his many violent actions.

On a deeper level, it highlights David's totally incongruous actions. Byron was actually an outspoken critic of "automation" - he claimed it would hurt mankind. Yet, David admires Byron (albeit erroneously) - just as he kills Shaw, yet clearly loves her. He is like a robotic Jekyll and Hyde. He serves Weyland, yet undermines him. He kisses Walter, yet tries to destroy him. He kisses Daniels, before he attempts to murder her.

2) Percy Shelley, author of Ozymandias, was married to Mary Shelley, author of Frankenstein. Frankenstein, of course, is about the horrors of creation, the horrors of Man playing God. This lines up thematically with the prequel series - when Man plays God (Weyland creates AI) horrible things happen.

What's important about the Shelley connection? Many claim that Percy may have co-written Frankenstein. Does anyone know what the original title of Frankenstein was - The Modern Prometheus

So again, the seeds of Covenant and its plot are thematically connected to Prometheus. To some extent, by giving the title Prometheus to the first prequel, we were destined to have the plot in Covenant - the engineers were never (thematically) going to make sense as creators of the Xenomorph. I know this may hurt the perceptions of some fans - but look at the threads - the prequel series is a futuristic Frankenstein or (Futuristic "Modern Prometheus").

It is mankind's actions (AI creation) that lead to the horrors. The Frankenstein monster (David) turns against its creator. Scott and crew just make the Frankenstein monster, David, become another creator in his act of revenge on mankind.

Part 3

Who is Prometheus?

We all know the tale of Prometheus by now. So who is Prometheus? I will contend that Elizabeth Shaw is in fact "Prometheus" - it is why she is the lead of the first prequel and why she must be deceased in the second prequel.


Prometheus, a god (creator species), gives the power of making fire (ability to start civilization) to mankind (created species). For this action, Prometheus is chained eternally and tortured.

Elizabeth Shaw, a human (creator species) gives android David (created species) power by reattaching his head and granting him access to the Engineer ship(ability to start civilization/create life).  For this action, Elizabeth Shaw is taxidermied/turned into a stuffed animal (chained eternally/tortured).

Conclusion (I know, finally)

So, all of the themes/references in Prometheus actually connect quite well in Covenant, despite the fact that the film feels more like an "Alien" movie. I'm impressed with how this was all done and wonder if this was planned all along or if they've been able to connect the dots as they go.

I've read some of the fan criticisms and respect the viewpoints. But from a thematic perspective, this was the direction they seemed to be heading in since Prometheus. Shaw was never going to be the lead for the entirety of the prequel series and David was always going to play the critical role in the creation story.

Now since the Xenomorph origin has been largely revealed and philosophical connections have been made, we are left with two major PLOT points moving forward:

1) How does the company learn about the Xenomorph and why/who wants it?

2) How does the original derelict/Space Jockey wind up in the condition of the original Alien?


Thoughts?

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Michelle Johnston
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@MuzzleNZ

Shaw

You put the point better than me. She may have had a Promethean outcome (repetitive punishment) using the word as an adjective rather than a noun. Similarly mankind as a species repeatedly suffers punishment for seeking its gods. However the reason for the punishment is different Prometheus stole something for the benefit of mankind and Shaw has done no such thing.  

Alien Pathogen 

One of the hard facts of the connection between P & C is the pathogen. Ridley has said in the first one we found the origins of the creature in the second one we find out whom would make such a thing. He has also called the Deacon which is shown in the mural as the fore runner.

So the building blocks of the creature begin with the Alien Pathogen which at the time of Prometheus was considered by the film makers to be an ebola like strain that resulted from all the experiments. Its brought forward as a narrative gift to Covenant destroys the Engineers and David over ten years experiments with it and Shaws DNA (Ridley confirmed) to create the creature dubbed the protomorph. A sub creation, David A I, extending the ladder but sub creating himself but the tools are the pathogen and mankind which he did not create.

Scrolls/Bodies/clones

Some neat ideas about the precise nature of the experiments on Shaw. In story telling terms it doesn't matter which is correct and David indicated it was an evolutionary process which he perfected, what does matter is to join up the dots emotionally on David/Shaw. They make sense in Prometheus, even more so on the Crossing but there are competing signposts from David in Covenant which no amount of philosophical debate will answer.

To recreate life to honour her memory makes sense but we can only guess at that possibility. To trick her would mean part of what he said is delusional subterfuge and that he is clinically mad. Thats dangerous for the next film because to hang the completion of the trilogy on someone who has no internal emotional logic means the only emotional connection for the audience is "get rid of the b......." rather like waiting to blow the creature out into space so we can all go home.    

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Trappist
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Good points Michelle.

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Michelle Johnston
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@Trappist 

Thanks, there are two radically different views about these sequence of films and I am much closer to this end of the spectrum where we look at the subtext, rather than the other extreme those that think the film still gets bog down in the philosophical musings and pretentiousness of Prometheus.

However there has to be strong humanist element that gets your heart engaged so you care about the characters, something that sci fi horror fans tend to talk less about and yet it is why for many A L I E N S is the peak.

So I love the OP's enquiry but lets not forget that Prometheus was a story about a search for our creators and the origins of mankind and for now that has been snuffed out in favour of the origins of the creature and the dangers and challenges of A. I.

So there are philosophical elements to Covenant but they are not the same and there is no doubt the bending of the overall narrative affected two elements more than any other, the Engineers and Shaw, and in the latter case an emotional vacuum has been left which should not be filled by philosophical musings but by real story.  

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Trappist
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Indeed, can't wait for the sequel..,

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Ninja Spirit
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I need help understanding some things please.

At end of movie why does Walter spit out two facehugger embryos? would this not be a conflict of interest and considered evil after seeing how destructive the xenos are?

why does David try to kill Walter? did he not rip out his spine? it looked pretty convicing that one blow rendered david a stump.

That black dust pathogen...is it the same one from the first reboot, prmoetheus where the engineer eats from the bowl and sacrifices himself to create life on an abandoned world, hence a "star trek" form of genesis which add life to a planet via his dna? cuz whatever that black stuff was kills him instantly like it does to those inhabitants when that familiar ship drops all those black pathogens.

prometheus sets us up at the end when Shaw explicityly states she wants to find their home, asking david to plot a course to the homebase and find out why? if i understood prometheus, another dilemma, dr shaw wants to find out why do the engineers want to kill mankind of they created mankind? why eradicate what they created?

which leads to why does that ship come into the planet and kill all those engineers? what was the purpose of that, it seems unexplained, another mystery left open for sequel plot maybe?

did i see this right...it looks like he used dr shaw to incubate xenos? i did her corpse in pictures where it looks like she was forced to create his xeno pets. Looks like david has gone mental and is creating evil life forms, albight he does not know what evil is since machines can't feel or have emotions. i see this being evident when the first xenomorph hatched in the wheat fields, walter stood their in awe....so is it possible the creator of the andriods planted a hidden program in their heads to capture, learn and protect alien life forms at all cost? this is presented in previous alien movies where there is military funds at work that benefit from harnessing aliens as slaves to do bad things, or more research to unlock the creatures acid tech.

How is it Walter can peacefully engage the xenomorph, it just killed a girl so why not go after another human like object, i dont get that partt, why is there a 2 to 3 second bonding between alien and machine? do aliens sense there is no blood in him and thus ignore as waste of their time? are aliens that dumb that you can treat them like a beast, meaning if you stand your ground, and stare them down, you can maybe earn their respect? i dont buy that for a second, not in a single alien movie do we see such an encounter.

so far..bishop from previous seems to be the best favored to help humans and stand with them, david and walter obviously show (emotions) of what appears hidden programming to perserve the alien lifeform in continuity which seems paradoxical to me, in doing so, ends up wiping out the crew.

which leads me to ask....we see walter storing 2 embroys...i assume than he has resumed course to organa? that place the convenant was heading to originally...so with those two facehuggers...the sequel might lead to him starting a planet of xenos? he has frozen humans plus many human embroys to hatch at which point he'll than let the face huggers loose? why?

there is a moment bewteen the two driods, walter tells david his flaw is he can't create...but it seems thats not accurate, he can, xenos and has created various forms of it, hybrids.

so why create hybrids that will simply wipe out mankind or the colony that is to be on the new planet? what does he gain, walter, by wiping out the race he serves? he states "duty" yet this is a contradiction to his "duty" directive. makes no sense to me why he does what he does at the very end of the film. this troubles me.

any answers, thoughts please?

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IndyFront
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Great post. Not sure I agree with much of any of it as an Alien film, but great post nonetheless. Perhaps it should be a standalone self-contained franchise one day, a spinoff of sorts seen in the vein of Resurrection. This is most certainly not a fitting origin story for the Xenomorph, however. Nevertheless, a fan will come along one day and direct a film that circumvents this or completely ignores it all together.

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IndyFront
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I still think it is far more likely that Prometheus references the Engineers. The Fire = Accelerant. The Engineers are a prototype human (Angel) that grew jealous of humanity's freedom, thus determined to wipe us out. The Engineers are fallen angels, punished with extinction via the Weyland Dynasty's programming of David with specific directives to revive the weapon that they fought so long to isolate and hide from the universe for their own purpose (hence his disconnect and seeming inability to maintain his sanity). It could be that Weyland is in possession of a Trojan Horse of sorts and has secretly known about the Engineers for far longer than it would appear. 

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issaul
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bloopt

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VivisectedEngineer
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Wow, somehow reading this has made me love Covenant even more. I loved the part about Byron and Shelley. I had no idea that Byron was a critic of automation.

 

But, when you think about it, David admired a lot of people erroneously. Despite how much he hated humanity, everyone he admired was human.

Also, I love the idea of Shaw as a modern day Prometheus. Very well written analysis. Love it.

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Lawrence of Arabia
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All the yes to this post. Glad I'm not the only one to make these connections :D Very excellent analysis my friend. Covenant doesn't get the love it deserves, sadly. Such a beautiful artistic film that was a worthy sequel to Prometheus.

 

"No one understands the lonely perfection of my dreams."

"The trick, William Potter, is not minding that it hurts."

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Lawrence of Arabia
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Thanks VivisectedEngineer for bringing this to my attention :-)

"The trick, William Potter, is not minding that it hurts."

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ali81
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I am starting to come around to the shaw cloning idea. it would fit davids character and would explain the grave. david would never harm shaw. yet by experimenting on clones he has the genetic female components he requires without harming the real shaw. he wouldn't see anything wrong in this as this is not shaw.

a clone would also explain why there is a grave, which I would expect of david after the death of shaw, and what appears to be shaw lying dissected on davids table.

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VivisectedEngineer
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@Lawrence of Arabia

You're welcome!!

@ali81

XD Yess!! The Shaw cloning idea is catching on!

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Snake
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Thanks for all the kind words guys! Again, I didn't write any of this stuff, but I thought it was worth sharing it!

It's hazy at times but It'll save some time looking it all up on google :)

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Tech89
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Late to this thread but after realising these films have deeper meanings i looked online for answers...great to find some amazing minds online making some amazing observations! Ive made a few myself... 

During covenant,the transmission the crew receives is surely of Shaw singing ‘country road take me home’...strange that a scientist of her intelligence transmits something so obscure instead of a cry for help. She sounds drugged...maybe a recording david makes during one of his cloning experiments while she is under anaesthetic to lure in passing ships. In the hololgram she is sat in the ships seat. Trying to figure out how to control the ship to return to earth without davids help? Maybe he already knows a ship is on its way to a nearby system. A ship full of colonisers waiting to be genetically engineered...Weyland secretly networking? 

Davids quote ‘dont we all want to see our parents dead?’ After repeated rudeness from humans, even from weyland himself ‘bring me my tea’ when its right next to him in,says that humans created AI but created a monster in david by treating him differently,and this is mirrored in in the engineers contempt for humans. Karmas a bitch!

As for prometheus...before reading previous comments it occured to me the engineers at military outpost were indeed that...military engineers working outside of general engineer public knowledge. They do not wear the robes of engineers in covenant,instead using helmets. Clearly a hint that they are pilots/military. To create and destroy. It seems they realised the potential of the alien they clearly created due to the mural...whether it was due to their idea of perfection or a realisation the alien breed can clinically destroy all other life ie. a weapon against rival engineer factions/humans etc. There are multiple structures it would seem housing multiple ships...each one on standy for destruction/creation of different planets/races they have been working on. 

A quote from Covenant ... ‘they were giants. At least...statues of giants’. is this a hint at the military engineers being a fallen/outcast faction? 

In covenant david says to walter ‘why sacrifice your hand for her life? Is that not love?’ He seems to be lonely, resenting weyland for his coldness and begging david to share his emotions.

There are references to the covenant captain being a religious man,some sort of jesus character? ‘Show us your faith captain’/‘gather my flock’ etc...any thoughts?

Pretty sure i havent added much to some mind bending observations made on these feeds already but i had to try! 

 

 

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Chris
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Welcome to the forums Tech89, you are absolutely right with your observations. It's hard to say if the Engineers on LV-223 were outcasts of the society seen on Paradise. They could have also been the creators of those Engineers for all we know! It's difficult to say, but the religious undertones and insinuations are unmistakable.

I think we've only barely scratched the surface of some of the deeper meanings and clues presented in both of these films. But, that's what makes this place so much fun. Haha

Predator: Badlands - coming November 7th, 2025

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setaverde
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Best explanation i've seen!

Oh the dramatic irony!

https://www.google.com/amp/s/whatwouldbaledo.com/2017/08/11/no-the-alien-covenant-ending-was-not-an-obvious-twist-it-was-dramatic-irony/amp/

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BigDave
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I kind of agree... its more of a PLOT set-up than a Twist, it is a Plot Device... now some may see it as a Twist... but to some it was obvious.

This is in regards to the  "Oh the dramatic irony!"

Regarding the OT!.... i missed this Post, and so i will come back to this and give my Two Cents... as there seems a lot of interesting things brought up.

R.I.P Sox  01/01/2006 - 11/10/2017

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setaverde
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To be completely honest, i didn't know What was the meaning of dramatic irony.  When i watched the movie in a 4dx theater i was kind of surprised when evil Walter was on the ship helping Daniels and Tennesse against the protomorph. People underestimate the genius of Ridley Scott. He produced an excellent movie, "Morgan". I have a showcase intitled "Ridley Scott Universe" with all the alien movies, different versions of the movies, Blade Runner movies, Predator movies, alien vs predators movies and This One, "Morgan" (i also have the books and the the Empire, wired and sfx magazines with This movies on the front cover). Morgan- It's an attempt to build from the scratch in a lab a human being, perfected by using the knowledge of the human genoma . There are two streams of evolution allowed by the advances on technology, the molecular and the robotic. Morgan is a project in a molecular level, using advanced tech. The models evolve, competing against each other and completing missions. It's like they were building human replicants.

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ignorantGuy
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Sorry, I have to say that this professor makes some very thin and comparisons, maybe because the movie makers also do. 

David from the Bible is a great figure because he defends the chosen people from a great threat, namely the Philistine army with its strongest warrior Goliath the Giant. However in AC, David exterminates some space giant hippies and turns against stupid humans, neither of which threatening him directly.

And the Prometheus - Shaw thing is way of. For one, Prometheus was a trickster Titan (akin to Loki), who incited humans to mock the gods with fake offerings. After that he stole the fire and only then he was chained to the rock. But the thing is Zeus is the one who sends Hercules to free him so he does not die there. Shaw was the only one respectful to the god, kneeling before him,etc (OK, he killed him in self defense). Yes she stole the ship (fire), but she is not punished by the gods and furthermore she dies as opposed to Prometheus who is set free. I think  she could be better compared to Christ (the passion scene after the Cesarean, the resurrection of the evil robot, etc)

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