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DUTCH PREMIERE REVIEW (spoilers-inside)

dejan

MemberOvomorphMay 31, 2012758 Views7 Replies
Fellow fans, these are my impressions of the PROMETHEUS premiere in Holland today: - the movie is much more engrossing and impressive after the viewing. This because the production design is so brilliant, PROMETHEUS didn't need any plot/story development. They could have just played the beautiful images without sound, and you'd still walk out feeling like you saw the ultimate visualization of a William Blake poem. During the viewing, you're distracted by the plot and the acting, which spoils the purity of the visual language - The soundtrack is horrible through and through. The pompous & sentimental main theme never quite captures the creepiness, or the grandeur, of the setting; it does refer to the less interesting part of Scott's career, eg Kingdom of Heaven or Robin Hood - movies that have little in common with the dark surrealism of Scott's science fiction - Scott is clearly torn between his desire to deliver a horror spin on Kubrick's 2001, and his desire to satisfy the producers & ALIEN fans by providing action, gore, suspense, creature effects. The slow, menacing, contemplative atmosphere of the first Act works beautifully, but the action/gore of the Second Act feels rushed, despite some effective moments, like the medpod DIY Cesarean. - Creature design is underwhelming, nowhere nearly as inventive as the original xenomorph (who DOES, indeed, make a comeback, in less thrilling form). The star monster feels like a reverse tribute to John Carpenter, which is kind of silly given that Carpenter borrowed from ALIEN as much as he did - Although most important questions raised by the set-up will only be answered in the sequel to the prequel, the questions in themselves are intriguing enough: for example - what is the meaning of human sacrifice? Or - what does it mean to look at the world through the eyes of an alien? Or - if we were created not by the Christian God but by the Engineers, who then created the Engineers? Et cetera. All in all, it feels like an unfinished project that will only become what it was meant to be when PROMETHEUS II comes out.
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Neurion
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Thanks for the review! I hope it suits my taste a bit more than it suited your own. However, I have read in other reviews, that is does feel somewhat rushed at points…not too happy about that, but we’ll see… I myself, have listened to the score several times, and actually like it. I’m not saying that I fancy it nearly as much as Goldsmith’s ALIEN, but I do like it. In it, I can hear the “DNA” of the original ALIEN, Goldenthal’s ALIEN 3, some STAR TREKishness, and even some of Hans Zimmer’s DARK KNIGHT tones. After all, the composer (Marc Streitenfeld) was trained by Zimmer. I just hope the musical pieces are placed in the film properly…at least for my taste. But, I agree…it could’ve been a lot darker for my hopes. Maybe it’ll “grow on me” over time. Thanks again for the review. Peace, N
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David 1
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Frantz: well, in your case I don't doubt it.
[b]Ask nothing from no one. Demand nothing from no one. Expect nothing from no one.[/b]
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Gahlaktus
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Very thoughtful review, thank you!
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dejan
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Thanks, Frantz I was thinking that Noomi Rapace was fragile and sweet on purpose because it's such a contrast to Ripley and Rapace's own portrayal of the Goth woman in the DRAGON TATTOO series. And that's a neat concept, which could have worked if she had a male lead to play against. I felt that in almost every scene, she was frustrated, either by shoddy scripting (e.g. that whole section with the loss of her boyfriend generated zero emotional response), or by the fact that she's so intelligent and subtle in the midst of a one-dimensional crew Similarly, Charlize didn't have much to work with, although I'm sure she would have been great if she had. I didn't understand in what sense the death of her father motivates her own participation (on the Prometheus project). I felt that an idea that was 'leaked' in one of the fake scripts, where she is created by the Engineers, or their descendant, was much better than what we ended up seeing...it wasn't really any kind of a surprise I (sort of) liked Fassbender's performance, mainly because he cleverly downplayed the cliches of the Ian Holm (Alien) and Rutger Hauer (Blade Runner) robots... but that, too, didn't lead up to much - I was expecting more character development which would blur the boundaries between human and alien, suggesting perhaps that David is the next step in post-human evolution. But as I write this I am still very much under the impression of the film's atmosphere, the way it crawls under your skin like the alien snake, and how it exploits the potentials of 3D as a theatrical medium (it's more about space and lighting, than about editing)
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Frantz
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well we are lucky that there is only one 2001 ..i would not stand 2 .. BTW great review Dejan ..i agree on many things and YES the soundtrack is HORRIBLE !!! Its John Williams at his worst ( and i hate John Williams ) I dont agree on the acting ..it doesnt distract cos we have some great acting here ...Rapace , Fassbender , Elba and Green are top notch .
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David 1
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Well... as I said somewhere else... there is only one 2001.
[b]Ask nothing from no one. Demand nothing from no one. Expect nothing from no one.[/b]
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dejan
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Thanks, N I wasn't really disappointed in the film, mind you. Despite being incoherent on way too many levels, it is so visually coherent that it holds together. What primarily bothers me about the score is those darned HORNS. They always use horns to evoke American patriotism and the like. Though there is a lot of mournful and elegiac emotion in the story - what with all the imagery of a fallen God and a fallen universe - it is definitely not in the register which the music is addressing.

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