In the commentary for the 2003 directors cut of Alien, veteran British director Sir Ridley Scott expressed his surprise that none of the subsequent sequels had explored the mythology and mysteries of the dead alien pilot known as the "Space Jockey" whose vessel introduced us to the franchises titular and iconic antagonist, later dubbed the Xenomorph. This unexplored aspect of the Alien series fuelled Scotts long-heralded return to the franchise with 2012's Prometheus, during the development of which and at Scott's insistence moved away from screenwriter Jon Spaihts' direct prequel Alien: Engineers, becoming more ambiguous, metaphorical and grandiose with Damon Lindelof's rewriting of the script. During production, the movies focus shifted even further, centering in on the enigmatic performances of the movies lead characters Dr. Elizabeth Shaw and synthetic android David, portrayed by Swedish actress Noomi Rapace and Irish-German actor Michael Fassbender, respectively. Opposite Shaw's naivety and curiosity David was depicted as the remorseless and unethical agent bound in service to his creator, Sir Peter Weyland, portrayed by Australian actor Guy Pearce.
Prometheus was to be the first in a series of prequels that would expand the mythology of the Alien franchise along, at least two divergent paths. The first path would explore the origins and purpose of the Xenomorph cargo discovered aboard the alien vessel by the Nostromo's crew in the first movie, while the second path was to introduce us to and then explore the mythology of the race of the pilot from that very same ship, and their relationship to us and our origins. The second movie in the series, Paradise, was set to follow Shaw and Davids voyage to the homeworld of this race, the Engineers, and follow Shaw's quest for answers amidst themes of creation, existence, destiny, and fate. Sadly, Prometheus polarized opinion among critics and fans and as a result, Scott and studio 20th Century Fox reassessed the direction the series of prequels to Alien should take. Answering the calls for the Xenomorph to return Scott and his creative team abandoned the Paradise concept and developed a sequel to Prometheus which would instead focus much more heavily on the character of David, this time juxtaposing upon him traits from classical villains such as Dr. Victor Frankenstein, Captain Nemo, Dr. Moreau and John Milton's interpretation of Satan from his epic poem Paradise Lost. Davids villainy was to be revealed through his contempt towards humankind born from his estranged relationship with his creator Peter Weyland, which would see him mutilate and experiment upon the remains of Dr. Shaw, using her organs and the deadly Black Pathogen to realize the perfect yet deadly organism contained therein. With the Engineers destroyed by David and their grand narrative relegated to the background of Alien: Covenant's narrative David became the central figure and antagonist of the movie, and the prequel series.
Due to Alien: Covenants mixed reception among fans and critics and an underwhelming performance at the worldwide box office there are growing rumors that Fox may have canceled production on the next, and possibly the last installment of the prequel series. Believed to be titled Alien: Awakening, the movie was reported to see Fassbender return once again as the sociopathic and genocidal synthetic android David as he faces off against multiple forces including the Engineers and Humans, with the Xenomorphs set to feature in a diminished role to that of this summers Alien: Covenant. According to Scott himself, the movie would have moved away from Prometheus' themes of creation, fate, and destiny, and instead would have explored themes of A.I. and existence.
With recent rumors suggesting that Scott's Alien: Awakening may have been canceled following Disney's monumental acquisition of Fox's movie studios and assets, fans and critics have been speculating once again on the uncertain future of the Alien franchise, should this rumor be confirmed by Scott, Fox or Disney. A further report has also suggested that Disney/Fox may be considering a reboot of the Alien franchise. Following these rumors South-African born director Neill Blomkamp has released via Instagram more concept art that was developed for his sequel to James Cameron's Aliens which was briefly considered by Fox back in 2015, possibly in a bid at getting his sequel greenlit, again. Although many, included Scified, have cited that Blomkamp's planned sequel would just cater to the fans of nostalgia, from a marketing viewpoint this movie may actually be what the franchise needs. In the eyes of many general audiences, the last good Alien movie was Aliens, with all subsequent attempts to return the franchise to its roots, expand the franchise into those of other properties and explore the origins of the franchise having done little to elevate the franchise beyond its monster movie pedigree. Blomkamp's sequel could very well appeal to general audiences and help move the franchise away from the overreaching philosophical ambiguities of Scott's prequel movies and back towards the thrills and chills take ignited interest in this franchise in the first place.
That said, the grandiose themes Scott originally set out to explore with his sequel to Alien: Covenant can still be explored, and in much greater depth than the aforementioned and possibly canceled sequel would have permitted. It is because of the shift in the thematical narrative of the prequels to Alien, together with Scott's preference to move narrative away from the iconic Xenomorph and towards the themes of A.I. and existence, his evident preference towards Michael Fassbender's enigmatic performance as David together with his strengths as a director of grand visuals and dynamic performances that I am proposing that his next "Alien Prequel" movie should not be, as aforementioned, Alien: Awakening, but instead another movie entirely, titled quite simply - David.
As the name of the movie suggests, Michael Fassbender's portrayal of David should be its primary focus, with the narrative of the movie chronicling Davids creation, birth and the formation of his broken psyche. Playing opposite Fassbender would be Guy Pearce as Davids creator and the founder and CEO of Weyland Corporation Sir Peter Weyland, whose contemptuous nature is mirrored in David, and over the curse of the movie grows fearful of his creation, resulting in the duo's estranged relationship. The themes of A.I. and existence could be played out amidst the movies wider narrative in which the Weyland Corporation enter the future market of artificial slave labor manufacturer by mass producing inferior copies of David, stripping him of his uniqueness and flaunting that despite his superiority, David is a product and as such is bound to serve Weyland. Meanwhile, the rise of synthetic technology proves to be more efficient than that of the previously preferred technology of bio-engineered human constructs first developed by the Tyrell Corporation and now manufactured by the Wallace Corporation. Though he would see Replicant creator Eldon Tyrell as a visionary contemporary, Weyland would not hold the Wallace Corporations CEO Niander Wallace (Jared Leto) with any such respect, likely relishing the inevitable fall of Wallace's empire. Weyland's domination of the slave labor market can be echoed with David investigating, meeting and then ultimately killing such Replicants, even after they have revealed themselves to be more human than is believed. A possible twist could be the double revelation of Weyland's foreknowledge of the Engineers existence, possibly having found remnants of them on Earth, with the bio-mechanical nature of the ancient alien pilots maybe having inspired the unique design of the synthetic technology that David is composed of.
A movie focusing on David, of which is set before Prometheus and bridges the Alien and Blade Runner universes into one would be, from a marketing point of view a blank cheque for science fiction fans, even more so if Sir Ridley Scott brought his refined visual mastery to the movie as its director. For fans, the expansion created from such a merger of two intellectual properties would only add to the possibilities within future installments of each franchise while deepening the mythology of the characters featured in the movie, which performed by the stellar acting talent mentioned and under the direction of a veteran director such as Scott, would virtually ensure nigh on perfect characterization. Such memorable performances would drive the narrative and maintain audience attention, thus lending the movie a dynamic pace, and potentially see the movie surpass the commercial success of 2012's Prometheus.
Visually, one would imagine that should Scott realize this project that scenes featuring David would be photographed quite clinically with washed out colors and static camera angles, essentially mirroring the style used in the opening scene to Alien: Covenant. Conversely, scenes featuring the Replicants would likely be more over saturated with color, with chaotic camera work and littered set decoration, thus being representative of the characters obsoletion within the narrative. In terms of performance, the dynamics between Weyland and David, and between Weyland and Wallace would be powerfully realized by the actors, while Fassbender's free reign to explore the debates of "nature vs nurture" and the many debates concerning A.I. within his performance could very well see one of science fictions greatest performances. Together with Scott's grand visuals, the possible return of Roger Deakins awesome cinematography, and the musical genius of Trent Reznor, I believe David has the potential to not only be beautiful and powerful science fiction movie and potentially Sir Ridley Scotts greatest movie, but I also believe that it is a much more viable movie for Sir Ridley Scott to direct than Alien: Awakening. Do you agree?
David, A.I. YouTube video edited by Steven Thomas.
The Alien: Romulus sequel is currently in development and cameras are set to roll by October, 2025! Be sure to bookmark the Alien: Romulus 2 Info Page for an up-to-date account of all available information, production updates and important details! You can also share any news & rumours we may have missed by starting your own discussion in our forums!
In addition to the upcoming Alien: Romulus sequel, we have the Alien: Earth TV series from Noah Hawley arriving this August and a rumoured Alien vs. Predator reboot in the works as well after it was revealed Weyland-Yutani play a key role in the upcoming Predator: Badlands movie! There's really never been a better time to be a fan of the Alien movies. Be sure to check out our image galleries for the latest images, posters, concept art and leaked materials for all these upcoming Alien projects!