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Prometheus is fine, in its own way

Westy

MemberOvomorphJune 06, 2012832 Views4 Replies
With all the hype that's accompanied Prometheus it's no wonder that die hard fans have found something to dislike, and while Prometheus is no masterpiece, there's much to enjoy in the sci-fi romp. I think if you went into the theatre expecting a new alien film, you will be let down. Prometheus immediately distances itself from the franchise not only with its themes but its storytelling. Characters from the Alien franchise were people we could relate to - complaining about pay, complaining about this, talking about that, never really clued into the big picture before the audience was. In Prometheus, characters are so obsessed with the big picture that it quickly changes the atmosphere, becoming something different altogether from Alien. It maintains its ties with Alien through its aura of doom and gloom, but the pacing and characters are not what Alien fans are used to. Instead of the proletariat of Alien, we have a mostly bourgeoisie cast of intelligentsia that the audience will find difficult to relate to. Characters like Fifield attempt to go against the grain, but he is so poorly sculpted that his forced acting borders on annoying. Thankfully, Fifield is killed off to save the audience from hearing more of his shoddy post-traumatic stress acting. He's utterly unconvincing, and many other characters simply aren't given enough screentime or enough to do to craft them into someone interesting. Characters like Holloway had a lot to offer, but are wasted as a plot device for alien destruction. Other characters like Janek are also poured down the drain as a cut and dry persona, whereas they could have made Prometheus all the more worthwhile. The only characters that form the foundations for Prometheus are Elizabeth Shaw and David. Their talks that hint at philosophical tones and the human condition are perhaps the glue that holds Prometheus together, offering up genuinely interesting ideas to the audience in a Blade Runner-esque way - 'What does it mean to be human?' The film also hints at these ideas in a more obtuse way that seems to be accidental, and if only Prometheus sought a more emotional perspective it might have been a better critical success. The story itself does not quite ebb and flow. The alien theme that drives the film manifests in a series of unconnected set pieces, that don't particularly drive the cast or advance the story. Instead the audience is left wondering 'What happened?' on their own, while some of the cast ignore main events altogether. Characters disappear and reappear on screen like ghosts, vanishing for several scenes without any explanation whatsoever and reappearing at key moments. It doesn't feel smooth or effective. The cast doesn't work as a coherent whole, they operate in splinters independent of everyone else and relationships never develop. This cripples Prometheus' ability to tell an effective and believable story. However, faults aside, Prometheus is still immensely enjoyable. The reality of the Xenos is believable and simple and something that has been directly mentioned and hinted at in several alien films. The fan-fiction mythology of gods and parallels with greek mythology turns out to be as absurd and incorrect as was predicted, and the K.I.S.S. principle turns out to be superior yet again. Prometheus broods gloomy atmosphere with gargantuan, biomechanical sets shrouded in darkness and indulges the senses with a special effects and cinematography spectacle. As the plot develops, you'll be further glued to the screen as the ball starts to roll. While it may not be perfectly coherent, it certainly makes sense from start to finish and is definitely enjoyable. When it comes to the aliens of the story, the audience is left underwhelmed. Their cunning and effectiveness as a plot device is engaging, but in their use as set pieces they aren't given enough to do nor enough screen time to be effectively utilised, much like the main cast. They're certainly interesting, but could have been used to better effect. The audience is left with many more questions than they entered the cinema with, both in regards to the story and little bits and pieces that will itch at you for years until a sequel is revealed. In the end, Prometheus is something to enjoy. It's a gripping sci-fi romp that provides thrills and drama of a high calibre, even if it misses it's intended mark, it is still a quality entry into the genre. Prometheus's problem is that it was too ambitious for its own good and should have focused on the here and now instead of setting up a sequel, in true 'Lost' style that will leave fans throwing popcorn at the screen.
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GetEveryone
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What an absolutely fantastic review. I've put down a few quick words of my own, that seem to sync well with your own, so I may post them here for posterity. As you say, Prometheus IS a fantastic film, but one marked by flaws. On my first viewing I felt that this site had utterly destroyed any excitement I'd had for it with their doom-mongering, but having seen it again last night, I can categorically say that I loved it. Thanks for taking the time to write this, and I hope that those who haven't already seen it give it a chance. The outrageous AVP comparisons are beyond unfair. *leaves to find what he wrote*
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BigDave
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Well everyone is going to see the movie differently... some may not like it because they are die hard alien fans, some who dont like parts of it seem to be accused by those who loved it to not like it because they was expecting answers and Alien movie... But not everyone sees it like that... i viewed it as a stand alone movie in some cases, and i still had same conclusions. I dont mind some ambitious plots, i dont mind that we dont get no detail of the Engineers Sacrefice, or why they created us, what the Flying saucer was and who was on it. I dont mind that the Murals are not explained, that the Ghost Engineers, the dead Engineers are not explained... My problem was that some of the script writting was rushed, some had elements that never really fitted with the movie... As i said the movie went well untill after the Janek Bridge scene where he was talking to Milburn and Fifield about a glitch, and made a pass at Vickers this scene parts of it made no real sence and seemed out of Character for Janek and Vickers... After this scene the movie just seemed rushed, and left a few lose ends and plot holes. But thats just how i saw it, some may not see it like that and love it. Others may hate it... For me i dont hate it the Plot was very good, where as Alien Resurections plot was bad... but both movies had parts that was badly executed.... Prometheus had much more potentiall..... but thankfully there could and has to be a Prometheus 2 maybe 3... And while for many Star Wars fans Phantom Menace Sucked.... Clone Wars and Revenge of the Sith were both vast improvements... but still could not touch the Orginal Trilogy.... So Prometheus 2 has potential, but again we cant judge it if it fails to match Alien or Blade Runner because to be frank how many movies ever really touch those two regardless..

R.I.P Sox  01/01/2006 - 11/10/2017

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GetEveryone
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So this is what I've got down. I plan to write an actual review at some point. Note: It was written in response to someone, hence the fact that I reference what someone said a couple of times. "Given the main cast was fleshed out fairly well, I don't agree with the cookie-cutter characters notion, even if the rest of the cast were there as purely fodder. Like I said, there were elements I didn't like. There is a strange intangibility to the things that didn't work, and trying to put a finger on it has proven pretty difficult. The entire section with Weyland was pretty unnecessary. They set up David as the Prometheus figure then suddenly have Weyland crop up in the film's final act and declare his desire for immortality; it struck me as needless (as did the dreadful "father" line, which I'm guessing you were referencing with your 'bad twist' comment). The flashes of the cross during the brief dream-sequence had me audibly sighing, too. Not to mention the awful Scottish actress (I'm Scottish), who sounded like she was told to enunciate like a local news correspondent. The film we do have is... I don't want to say badly constructed, so I'll go with weirdly. The first hour is more or less exactly what I'd hoped it would be: we are given mysteries, get to spend a little time with characters getting to know them better and teased with the notion that the race we have set out to meet are gone. The abrupt change of pace in the second half doesn't allow for the same scope of developing these themes as they should. Basically, I think that by attempting to juggle the story that had been brewing with the horror sections on the second half, there were far too many ideas and none of them were given the chance to really ferment into something meaningful. In the best example I can think of, the whole Med-Pod scene was played out far too quickly and set up a little too obviously. It lacked tension where it should have been terrifying. As soon as it was over, it was never mentioned again and Shaw was more or less back to operating at 100% in the very next scene (it served next to no purpose other than the split second death of the Engineer). As I said before, these Alien elements felt tacked on. I guess the intangibility problem I mentioned just comes down to scripting issues and/or the cut. If the entire film had played out like the first 2 thirds/acts, culminating in the awakening of the Engineer in the third act and a more prolonged chase scene with Shaw, it may have had more impact. As it is, all of the big moments fizzled a little. An extended running time would probably have corrected the largest issues I have with it. There is an absolutely fantastic movie in there, unfortunately the one we ended up with felt like a whittled-down cut of a longer, more mysterious, thoughtfully paced film. It teased us with some incredible elements, but seemed determined to hit a quotient of important plot points before the end of its run-time. Given ALL that, though, I really enjoyed my time with it and, thinking back, the general look and feel of the film as well as the main characters really drew me in more than the elements that I feel didn't work to the film's benefit. Writing this has actually been very cathartic, and I can see far more clearly what did and didn't work. I'll be seeing it again, and I can't wait to I'm looking to revisit the temple with these characters. If it does decent business, then hopefully we'll see the sequel (they were so obviously setting it up for) and they can spend more time fine-tuning the script and really focussing on the elements that worked in this film." Edit: This was actually written before my second viewing. I enjoyed it significantly more the second time round, and thought it gelled a lot better than I had initially thought. The pacing also seemed slightly better as I actually listened intently to all the character scenes instead of desperately awaiting the next plot point. Thoroughly enjoyed it; debating a third viewing; can't wait for the blu-ray.
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Westy
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Yes, yes, similar to how I think of it. I saw the 3D version today and after a second viewing its started to grow on me. I think I might have been too critical when it comes to the ebb and flow and continuity of the story, as it really isn't far different from many sci-fis in the way characters appear and reappear and unless you're keeping your eye out for errors you won't notice or care. I think Prometheus is better than I first thought, I've upgraded my mark for it to a solid 3/5, and it can only get better from here. And personally, I relished the med-pod scene, I thought it was totally unique and very memorable. I don't think it was rushed. I think it was a very precise length that balanced suspense, terror and disgust. In my opinion, you could see Shaw crippled for the rest of the film (where Weyland's bodyguard gives her a rifle butt to the stomach) and she yelps like a wounded animal whenever she bumps into something or even zips up her suit. All in all, it can only get better from here.

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